Wednesday 19 December 2018

DEBUT ALBUM ON THE WAY IN 2019 - THE NINTH WAVE | Interview & Gig Review - Years End Festival 2018 @ O2 Ritz Manchester

Hey gang!

Welcome to something very exciting, I'm so happy to be bringing you an interview with an epic, emerging band who are storming across the UK at the moment.

I'd like to introduce you all to The Ninth Wave, a Glaswegian group with all the ferocity and determination of a tidal wave. Their sound is unlike anything you'll hear from other contemporary artists; it is timeless and yet ahead of it's time, pop rock that is unapologetic, provocative and in a league of it's own. These compelling renegades have attracted attention from BBC Introducing, Amazing Radio, Dr Martens Presents and are next year supporting fellow Glasgow icons CHVRCHES, at the Hydro Arena.

The Ninth Wave have been kicking around for a couple of years now, and have already cultivated such a strong identity for themselves both musically and aesthetically. Their sound is unmistakable and gripping, as is their artwork, personas and music videos. They're often linked to the 80s genres of new wave and post-punk, as they have previously credited Interpol and The Cure as influences. A touch of these 80s heroes can be heard within their tracks, but The Ninth Wave have an originality that transcends everything they create. This isn't juts about the music, this is a mentality that will punch you in the face.

Co-vocalists Haydn and Millie have such powerful voices that equal each other in depth, but stand out in their own right. In my favourite single of theirs, 'New Kind of Ego', Haydn's deep tone parallels perfectly to Millie's higher harmony to create such potent echoes throughout the track. In this anthem they cry out 'Did you forget to tell me?', calling out some poor individual's miscalculation that they could wrong the members of The Ninth Wave and get away with it. As a pre-Christmas treat, just last week they released an outstanding cover of The Pogues beautiful ballad, 'I'll Love You 'Till The End', which they completely transformed into their own. The video as well is a fantastic example of their visual ingenuity and style. The Ninth Wave with their no-bullshit lyrics, dauntless musical compositions, and visionary artistic style, create a force of infinite potential.

I was lucky enough to catch them at Off The Record in Manchester last month, and then again last weekend at Years End Festival 2018, held between Manchester's O2 Ritz and Gorilla venues. I was kindly given the opportunity to interview Haydn, Millie and Lewis (drums), before their set and hear first hand about their upcoming releases in 2019...

INTERVIEW

Q: I have to talk about this because you dropped it just yesterday; The Pogues’ cover. It’s great, and the video is beautiful, where did that idea come from?

H: I don’t know, I guess the kind of song it is, it’s not what we normally do, so we just thought it would be nice to do something like that…
M: Have a happy song for once
H: Yeah for once
M: All our songs are about sad things and Christmas should be a happy time. And I guess that’s kind of where the video ties into it, it is two angels but then they’re not very good at what they do so they get their wings taken off them. It’s merging the [elements]; not making it too happy by putting our own spin on it.

Q: Lyrics are one of my favourite things that I look for in a band, I like there to be a little bit of poetry. And you’ve said you write sad songs, what inspires the stories that you tell?
M: You can’t write lyrics to a song if you don’t understand what they mean yourself, so it always has to come from past experiences or something that you’re thinking in your head. So I think that’s what makes them really listenable, is that they’re not just pulled from thin air, it’s what’s actually happening.

Q: So you guys have bought out a couple of EPs now and lots of singles, is an album next for you with 2019 just round the corner?
L: We’ve recorded the album already. We’re dropping it in two parts; so the first part will be out at the start of 2019, and then the second part at the end of 2019...That’s the way we’re doing it, to make the songs make more sense, rather then just throwing out all the songs at once, we thought it would be better to do it in two parts. But once they’re both out it’s just one album.

Q: Is there an element of duality within it? Is that why you’ve split it?
L: There kind of is now, it didn't when we were recording it. But once we’d picked the tracks, they kind of make more sense now; the first part has a theme and the second part has another one.

Q: When I’ve read past interviews you’ve done, you guys said you tend to evolve and adapt your music. What’s influencing you right now? What has inspired those songs?
L: Being in the studio did it, there were a couple of songs that completely changed when we were in the studio. One of the songs is called ‘Human Behaviour’, its on the album, and that was originally just like a rock demo, and then there was a point when me and Millie were sitting in the studio and she was playing piano, she was playing the chords and I was doing like a jazz thing, and then it just became like ‘Pyramid Song’ by Radiohead. So stuff like that, when you’re just all sitting down, working it out.

Q: Do you guys experiment a lot?
L: Yeah with instruments, just cause the studio we recorded it at, it’s got a wide variety of synths, drum machines, mad stuff and like mics from 1950, so it meant us going a bit crazy with that. 

Q: You guys have been generated quite a lot of hype recently as a new band, even though you’ve been going for a while. Are you guys ready to take that next step? are you scared? nervous?
M: It’s exciting, you can’t be nervous with things like that. We’re ready.

Q: I bet you’re just glad that it’s finally coming out and everything you’ve been working towards the past couple of years is out there.
TNW: Yeah.

Q: I was thinking of how to describe your music the other day, and I figure it’s kind of like falling down a darker and more sinister version of Alice’s rabbit hole. What else is down that rabbit hole? Is there anything else you’d like to explore?
L: Well we did all that on this album that comes out, it’s not just massive choruses anymore and huge guitars. There's a lot of things that we’ve never done before, but I guess we’ll just keep doing that until people start to hate it and then we’ll stop *laughs*.

 (I don’t think anyone’s gonna hate it anytime soon.)

Q: My home town’s originally Leeds, have you played any of the venues around there?
L: Yeah we did Live at Leeds and we did a show at, what’s that place called? It’s a venue with the glass…
H: Oporto, we played there twice. 
L: Yeah, Live at Leeds was there and just a gig, a random show there. They were both really nice, they were filled.

Q: What’s your favourite thing about Glasgow and that music scene?
H: It’s really cheap to live there, so if you’re a band and you start off, you can develop how you sound, and the people that you meet. I feel like in London, if you have like a rehearsal studio it’s probably like £1,000 a month, but Glasgow is so cheap you can take your time rather than forcing everything.

Thank you so much guys, good luck with your set tonight.


REVIEW

The Ninth Wave, as well as being incredible musicians, are also the most captivating performers. Haydn began their set face to face with the crowd, immediately drawing a number of soon-to-be fans into their sound. As they kicked off their set, their intoxicating riffs, moody melodies and the timbre of Haydn's voice, echoed around the tight pocket of the O2 Ritz Basement. They also looked cool as hell, as per usual.







The Ninth Wave had the entire audience under their sombre spell as they played some of their gutsiest numbers, including 'New Kind Of Ego' and 'Reformation'. A state of hypnosis had taken over us all as the velvety 'Sometimes The Silence Is Sweeter' poured through the speakers and into our ears. Haydn and Millie make such a formidable front team; both of them throwing all the authority of their voices and their souls into the performance. As Millie had said in the interview, you could feel the passion in their performance as the weight of the lyrics pierced the crowd. The Ninth Wave are such a fun band to see live; the intensity with which they perform and the enthralling quality of their music, results in a total possession by their sound, only breakable when they see fit to release you.








Finishing their set with their insidious track 'Swallow Me', Haydn again decided that he wanted to perform this one on level with the crowd. He stood before us as he delivered the first verse, the track starting off gently, (by post-punk standards), and as the track's atmosphere rose, Haydn too was filled with the soul of it. The rousing instrumentals of Millie and Lewis that were emitted from the stage, amplified the suspense and Haydn dropped to his knees and then to the floor, as the remaining members of The Ninth Wave rocked out on stage. He rose to his feet to cry out the final lines of; 'Swallow me, swallow me, swallow me, swallow me...punish me, punish me, punish me, punish me, so swallow me, swallow me, swallow me, swallow me' as the track reached it's climax and cut out completely. It was a great way to end their set, and I can confidently say they had the whole audience fully converted as they wrapped up their show. 


I had so much fun on Saturday at Years End Festival, I also got to check out some new bands I hadn't encountered before such as BLOXX and Saytr Play who I now love. I also caught Spector headlining the O2 Ritz stage and Cassia as they finished off the music at Gorilla. I'd like to say a huge thank you to The Ninth Wave for answering my questions and a huge thank you to Distiller for granting me access to the event.

I've linked to all of The Ninth Wave's social media below so make sure you follow them in time for the release of their album in the new year, I can't wait! They've got a couple of shows lined up for 2019 already as well, so if you're nearby do not miss the chance to see them. You will not regret it, I promise you.

I wish you all a magical Christmas and a lovely New Year with your loved ones. Let's make 2019 one to remember rather than another one to moan about hey? See you soon.

Holly


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Wednesday 5 December 2018

DIY Magazine's NEU Tour 2018 - Leeds @ Headrow House | TALKBOY, PEAKES, CARO | Gig Review 29.11.18

Hello everyone!

Today I have for you three new awesome bands from Leeds that I'm so excited to be writing about.

Leeds has a great scene for live music with some incredible venues of all shapes and sizes. It's thanks to these venues that I connected with the music I did when I was younger; if I hadn't have been going to The Cockpit at least once a month to see of my favourite alternative rock bands play, I would not be where I am today. It's thanks to Leeds' live music scene that music became such an integral part of my life and clearly the right industry for me to go into. Now I'm home I can't wait to explore Leeds' scene more and help more of Leeds' music be heard.

That's why I am so happy to report that when DIY Magazine's Do It Yourself NEU Tour had its final panels and gig in Leeds last week, three extraordinary local bands stepped up and delivered some amazing sets. Each with their own unique sound, mesmerising set and exciting future, here is an introduction to Talkboy, Peakes and last but in no way least, Caro.

REVIEW

TALKBOY



This indie sextet kicked off the show with their fun, lively and fantastic original tracks. There was a lot going on, six people on a small stage can do that, but they suited it. Their music has so much energy; Talkboy were clearly having a lot of fun on stage and it transcended to the crowd. They were fully committed to the show and entertaining us all. They were confident and talented musicians, all the elements of their sound coming together so well. The keys, guitars and drums not drowning each other out, but uniting to make colourful melodies and an identity that is going to set them apart.




Lead singers, Katie and Calum, both had such strong voices and they complimented each other so well, making a really interesting duet. I was also so happy to listen to their lyrics, which were more poignant and narrative then I anticipated from a young band. Their new single Over and Under is a fantastic example of their songwriting ability and everything this spirited group are cable of. On the rockier side of indie, but animated, fun and dynamic, Talkboy will be a really interesting one to watch. I wish them the very best of luck.


PEAKES


Next up came synth-pop trio, Peakes, who immediately made a big impression upon me. Their soothing and enchanting tracks had the whole crowd captivated from the get go. After the lively performance we had just witnessed from Talkboy, this was a total change of pace, but their front woman Molly had such a mesmerising voice. Their music had all of us in the audience happily transported to another place and time where only Peakes existed. Molly's lovely vocals were accompanied by perfectly atmospheric drum playing from Pete and Maxwell's ingenious keys, their tracks were fantastically composed. Their performance really was spell-binding, at times I forgot about everyone else in the room and the music was the only thing on my mind.





Their tracks Space and Pray For You were shiver-inducing and etherial, Molly's voice being both feather-like and powerful when she needed it to be. They also played such a beautiful cover of Kate Bush's track Running Up That Hill which is definitely one of my favourite new tracks this month, they made it totally their own and it was so polished. I honestly thought these guys were incredible, they produce the most dreamy melodies. Their music is perfect should you need a quick little bit of escapism; put your headphones in and turn the volume up, let yourself float away with Peakes.


CARO



To close the show came the INCREDIBLE Caro. I cannot underplay how impressed I was with these guys, their music completely kicks you on your arse, you cannot deny how good they are. They were so talented, such an exhilarating sound and just so cool. Their music I would class as alternative indie/rock but it was eccentric, wacky and energetic. When they started a track you weren't quite sure where it would go but you were in for a hell of a ride; each song is a rollercoaster. I was also in awe of their completely original lyrics, both poetic and quirky in equal measure. In their single Closet Lunatic, frontman Adam sings "Underneath your goody two-shoes there's a dirty pair of socks that you're never gonna wash no" I love it.




To top it off they were also fantastic showmen, they put on such a performance and were having so much fun dancing around the stage. They were so entertaining and I can only imagine in a bigger venue with a bigger crowd the whole room would be alive, it was so much fun. Their track Eyes On The Ground invites you to dance; the way Adam and Andy's riffs jump around while Bryn keeps the beat on the drums, its so hard to sit still. Their tracks are very cleverly composed and it gives Caro such an unmistakable identity. Adam has a great stage presence as well, he's an amazing front man and you can see how passionate he is when he's on stage. I could not recommend seeing them more, and I'd say look out for them but I think soon enough it's going to be hard to ignore them, they're going to be huge! I seriously dare you not to like these guys.

Thank you to DIY Magazine for putting on this event. The panels during the afternoon featured prominent speakers from Leeds' own music scene and gave great advice for anyone looking to get into the music industry. As you can see the show that evening was also such a success and curated so well. Thank you DIY and to Headrow House for hosting the event.

I hope you all enjoyed this post and definitely check out these bands, so much talent and if you like in or around Leeds, I implore you to try catch these guys. That's all from me today but I hope you all enjoyed this post, see you soon!

Holly


Talkboy:
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Thursday 15 November 2018

ELECTRIC - TONIGHT ALIVE @ Fibbers, York 10/11/18 | November 2018 UK/EU Tour | Gig Review

Hey gang! It's been long enough, eh? (See the cheeky Canadianism I put there?)

I know I haven't spoken about it too much on this blog, but to quickly update you all before I dive in to this post, I've just returned home from my year to Canada! What was originally supposed to be just six months of living out in the mountains to experience a real winter, turned into a full year of living in the magical Banff National Park, and a little tour of the west and east coast...sorry to the family and friends I promised I'd be home by May!

It was undoubtedly the best year of my life; everyday there was something that made me stop and contemplate for a moment how amazing this experience was. I in no way expected my life to take this turn, but I am so, so grateful it did. I might do a post explaining properly my life there and why I decided to move to Canada, as I'm not sure I've really gone into full detail on it, so stayed tuned if you're interested!

But update over, lets dive headfirst into a review I've been so excited to write for a gig that reignited a much needed fire within me...

On Saturday night, I was lucky enough to attend the third show on Tonight Alive's November 2018 UK/EU tour and oh my good God was it an incredible show! I've been struggling to find words powerful enough to properly translate how much of an amazing show they played, and how uplifted I felt as a witness to it. Supporting Tonight Alive on this tour were two artists I hadn't come across before; Bournemouth based quintet, Wolf Culture, and metal veteran, Jamie Lenman. Before I attempt to relay the details of that evening, let me enlighten those of you who perhaps haven't come across Tonight Alive before...

I have been a devoted admirer of Tonight Alive for a number of years now; I think I first heard of them about six years ago, and saw them live for the first time at Slam Dunk North in 2013, when they played the debut tracks of their forthcoming, and utterly brilliant album, The Other Side. I enjoyed their music prior to the release of this album, but The Other Side was definitely a turning point for me and my love of Tonight Alive. It received glorious reviews and commendations across the alternative rock community, and truly cemented Tonight Alive's position as trailblazers of the genre. Every song on that record is a hit in its own right; the singles they released, such as Lonely Girl and The Ocean, were of course the key tracks the band felt best represented the album, but the remaining songs were just as much poignant and owned the same depth of emotion. Over time it has helped me process so many emotions that I didn't know how to address, their music has been like therapy for me for a long time.

The process of writing and releasing their next album however, turned out to be demoralising and exhausting chapter for Tonight Alive. Amid personal struggles and clashes with their label concerning their sound, as well as the band's image following its release, their third album Limitless is a snapshot for the band of an unhappy period in their story. They wrote about realising the power of the human spirit but also the oppression they were experiencing. This created a feeling of two extremes within the record; the fierce and resilient side of Tonight Alive, and then some severe lows. While The Other Side was similar in this duality, it felt more connected, whereas Limitless felt a little disorientated. Don't get me wrong, it is still a very good album with some great tracks, but it's sometimes hard to listen to from start to finish because it takes your emotions just about everywhere. Limitless being a difficult album to record, it was then a difficult album to take on the road. The record dealt with pain and frustration, but without healing. After their extensive touring following its release, the band walked away from their label, Sony, and the projections they had for a band that Tonight Alive were never going to be.

In the months following the Limitless era, Tonight Alive worked through their harshest personal struggles to reclaim their voice. They each battled demons, powered through a creative all time low, and drowned out the voices that were attempting to suffocate their own. This time was especially challenging for their vocalist, Jenna, who struggled deeply with self image, her physical health and the frustration that followed Limitless. Through opening up about her mental health, finding inspiration through the power of spirituality and, as she's often quoted, shaving her head, she found liberation. This was a cathartic journey to rediscover their identity and direction as band, and after only three months of writing, they began production on Underworld.

Their fourth record, Underworld is a collection of songs that dive straight to the heart of their pain, analyses it, and grows stronger from facing their demons head on. It teaches valuable lessons about facing your fears instead of running from them, each one hurts but through it all they remain hopeful. This record flows so organically between tracks, each one tells part of a story as to how Tonight Alive have together reached a higher consciousness and contentment. It has been received delightedly by their fans, they recognised the struggles the band went though with Limitless and now their recovery and bravery in producing Underworld. With the freedom to once again be themselves, Underworld is a true portrayal of Tonight Alive's soul and that is why the fans have responded so well to the record. It is honest, fierce and beautiful, it is Tonight Alive as we have always know them.

I went into far more depth than I intended to then, but I think it's important to have an understanding of who an artist is and what fuels them to produce the music they do. My love for certain artists lies within their history, how I've matured in the same time they have and within their longevity as artists. So many musicians these days have hit singles but their albums lack any substance and so many don't break enough ground to make it more than a couple of years in the spotlight. On this tour, Tonight Alive are playing a number of acoustic shows to celebrate their 10th anniversary as a band, they are incredibly talented artists and that's why I delved into so much detail. Now you have the context, it's time for the review.

REVIEW

WOLF CULTURE


Already on stage when we arrived were Wolf Culture, a British band who this year released their debut EP, The Devil's Plans for Idle Hands. I'd quickly looked into them before the gig, their sound is solidly pop punk and I was excited to see how well they played live. Their tracks Killing The High Horse and The Side Effects Of Being Happy reminded me a little of early Neck Deep or Mayday Parade; their melodies have that exclusively British, alternative texture to them and their lyrics are wonderfully shady and sassy at times. Being the opening act is never easy, especially if you're an unknown to the audience. Wolf Culture played a great set but didn't get too much of a response from the crowd, which at that point only filled half the room. They did leave an impression on some and I hope that other members of the audience picked up on their talent. I think they'll definitely be one to watch as their sounds is already very polished to say they've only released one EP. I think they did a good job, they just need more a little more confidence and it should evoke more of a reaction from the crowd.

JAMIE LENMAN


Next up was Jamie Lenman, who I'm sorry to say was not my cup of tea. His music had much more of a post-hardcore sound with elements of metal, which was a bit too heavy for me. Jamie Lenman was once the frontman of rock trio Rueben, but has since released a number of albums as a solo artist. He had much more of a presence on stage and demanded the attention of the crowd, but that was mainly due to the volume and intensity of his music. He was engaging and rallied the crowd's excitement for Tonight Alive, but at times he came across a little arrogant. I can't deny he had a good voice, I thought his cover of Another One Bites The Dust by Queen was very good, but I can't help that I didn't enjoy his set, it was just not to my taste. He seemed a little of an odd choice as a support artist for a band like Tonight Alive, Wolf Culture made total sense, but I felt Jamie Lenman didn't really suit the overall feeling of the evening.

TONIGHT ALIVE


Then it was time for the headline. Stepping out of the dark into the view of a single spot light, Jenna began gently with "Never really knew what it meant, Just always knew that I was different", the opening line of The Other, from Underworld. All of us in the audience were in suspense; captivated, waiting for the kick of the chorus. When it came it light flooded the stage and the crowd were instantly on their feet. It was a promise that this show was going to be an epic performance. When the moment came, Jenna removed her jacket to reveal she was sporting one of the tees from the merchandise stand, featuring the lyrics "I will not apologise, Or lie for who I am", the final line of the second verse before the band dived straight into the second chorus, Jenna jumping about the stage and the crowd jumping below.



Off to an incredible start, they followed with some older favourites from their first two albums; What Are You So Scared Of?, Bathwater and Don't Wish which the crowd loved! Don't Wish inspired a shift in the atmosphere, the hardier side of everyone in the audience came out as we sung along to the bulletproof attitude of the song. One of the reasons I love The Other Side so much is the lyrics. They are the most important element in a song for me and Tonight Alive write such passionate and poetic writers that each song hits you where it hurts.


They paused the set here to tell the crowd that the show was dedicated to them; that it was for our enjoyment and it was their duty to deliver to us an amazing show. Jenna told us they were so grateful for our support, allowing them to do what they do and were so thankful that we had come out to see them. Their appreciation of their fans and the respect and love from the crowd inspired the most beautiful atmosphere throughout the entire show, the connection was so natural. They absolutely followed through on their promise, Jenna and the boys gave their all to every single number and the commitment they demonstrated was next level. They threw their hearts and souls into every moment they were on that stage, it was amazing to witness.


Jenna was dancing around the stage in every single number with a huge grin on her face, she looked like she was having the time of her life, totally in her element. Singing her heart out she was beyond confident, it was the knowledge that she was destined to create and play music like this.


I liked the above the shot for the two arms in the foreground on the right. You can't quite make out the words but they both have lyrics from Underworld tattooed on their forearms, with the five sunflower petals from the album cover. A testament as to how significant and inspiring their last album was to their fans.



They announced they were making a music video from the tour for their beautiful track, For You, also from Underworld. We were told the more we joined in, danced, went crazy, the more likely we would end up in the video, so of course everyone did. Jenna came down to the barrier to be face to face with the crowd, she wanted to feel the connection that had the whole room spellbound. During such a delicate and uplifting song, you could feel the love in the room between the artists on the stage and their supporters below.

Before they played Say Please, a fantastic and raw track from The Other Side, Jenna recited a powerful poem/mantra that I have desperately tried to find online but have failed to. "My higher self is my only authority" she told us, instructing all of our spirits to rise and live on an elevated level. It's this trope of strength and possibility that resonates in everything Tonight Alive do, and it is such a positive use of the reach they have as musicians, to encourage self belief and motivation in their audience.

Next came Crack My Heart and Disappear where Jenna invited us all to "bring out your freaky dance moves". She lead the way, cutting loose on stage, her body moving in perfect time to the melody. The entire room was moving, and the atmosphere was electric.



The show began on such a high, from the get go there was a current that ran through everyone in the room, but at certain points the voltage was increased. The second that the intro to Tonight Alive's most powerful anthem, A World Away, hit the crowds ears, we reached the peak. It was like something else, the whole room was magnetised as we chanted "This is not my punishment, this is my catalyst for growth, I know I will survive this, I'll be the strongest person I know". It was a moment of shared vulnerability and strength, and it was breath taking. A World Away has been one of my favourite songs since the first time I heard it and it remains one of the most empowering songs I know. From A World Away, they kept the feeling of vulnerability on full volume. They hit us with Waves, the only song they played that night from Limitless, one of the more authentic and powerful tracks from a bittersweet album. Its a cathartic song, and as Jenna sang out the final "Getting caught up in your riptide" there was a feeling of release as we gently came down from the A World Away high.

Coming to the end of their set, they treated us to some more fan favourites from What Are You So Scared Of? and The Other Side. Amelia and Wasting Away separated the original fans from the newcomers and the gutsy track, Lonely Girl, got a huge response.



They had to finish, of course, with Temple. The first release from Underworld, it was the battle cry that Tonight Alive were ready like never before; they were finally their authentic, unapologetic and untamed selves. The song has such a ferocity and energy to it, the perfect choice to close their set with. Again upholding her promise to deliver the best show she was capable of giving, Jenna came face to face with her fans and then, supported by them, climbed above the crowd and gave all of us in the pit a front row seat for the final track...



The current reignited during Temple and the whole room was alive again, the connection between Jenna and her audience was explosive. As I sang along to every word I was so thankful I was in that room, I hadn't been to a gig in over a year and they're usually a bimonthly event for me! I ached for that feeling of magnetism you get seeing your heroes play live. Tonight Alive not only satisfied that craving for me, they set my soul on fire. Their performance of Temple was pure fire.


You probably think I have written this review through rose-tinted glasses, but I'm telling the truth. I adore Tonight Alive, but they truly are doing something incredible right now. If you go and listen to Underworld you'll understand; the way they address and explore depression, love, body image and pain, gives hope to so many.

At a time where mental health is so topical in popular culture but still not openly discussed enough, it is vital that young people have a way to express feelings that they maybe don't understand or have difficulty talking about. This is especially relevant within the alternative rock community, in the wake of Kyle Pavone's recent passing, and the suicides of Chris Cornell and Chester Bennington last year, it's clearly a problem that needs to be faced. Not only have Tonight Alive had the bravery to write about these deeply personal struggles, but they perform these songs every night on tour, continuing the conversation and exploring their pain. The band experience this each night with their fans, many of who are teenagers and young adults, and it allows them to process similar feelings they may be having, and gives them a way to productively confront their anxieties.

In the spirit of open conversation and transparency, I will confess that over the past two years or so, I have dealt with anxiety and OCD and at points it's been pretty bad. I told a few close friends, but there were times when I wasn't completely honest about the severity of the issue. It's something that has come and gone and thankfully I've got a lot better at dealing with my issues and I'm in a good place now. Tonight Alive's music has been so helpful and remedial for me during this time; the motifs of personal growth and empowerment within their songs have been hugely inspiring for me. Of course that's intrinsic to why I admire them so much, but I don't think you can underestimate how important it is for people who are struggling to have a way to process the fears that are controlling them. Their music is transparent, authentic but most importantly hopeful, that's why people connect to it so strongly.

Whether you're a fan of alternative rock or not, I would seriously recommend listening to their music. Even if it's not to your taste, you may take something away from it you didn't anticipate. Tonight Alive are now halfway through their tour, if they're playing anywhere near you then I seriously recommend seeing a show. You may still think I'm biased, but ask anyone, they play one hell of a good show.

Thank you all for reading this post, and if you are struggling with anything then I've attached a link to the mental health charity Mind, who offer information and support across the UK to anyone who is struggling with their mental health. If you are going through something, please talk to someone. You are not alone and there are people out there that want to and can help you, it is not something that should be swept under the rug. You deserve to live your life to the fullest and your mental health is too important to ignore. Please seek the help you need to get better.

That's all for today everyone! Thank you for your patience and for reading this post, I hope you enjoyed it. If you want to continue the discussion in the comments feel free to do so, I welcome a safe conversation about this topic.

I'll speak to you all soon.

Holly


Tonight Alive
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Wolf Culture
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Jamie Lenman
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Tuesday 29 May 2018

MUSIC REVIEW + INTERVIEW | Wild Front - 'Simmer Down'

Hello everyone, it's been a while!

I have some new music to tell you about today, curtesy of an endearing Southampton four-piece! Get ready for a tune that is going to strike a real cord.

I haven't said much about it on this blog, for the simple reason that I haven't had the time I'd like to dedicate to fully going into it, but for the past eight months I've living in the beautiful town and National Park of Banff in Canada. To live in a place of such breathtaking, natural beauty is surreal and an absolute dream, but there are downsides to living amongst the isolation of the mountains. Such as a lack of a diverse and energetic music scene, which as you all know, is vital to my functional existence and sanity. It was therefore such a gift when I was contacted a few weeks ago by LD Communications asking me if I'd like to do a little work with a rising band on their roster; the charming boys of Wild Front.


As is my rule before agreeing to collaborate with any artist, I had to check them out to see if they were a band I would genuinely listen to and enjoy. I'm happy to say they passed the test! The first song I heard from Wild Front was their spine-tingling single 'Rico', which intrigued me and coaxed me to delve deeper into their sound. I found their music a little reminiscent to the likes of Amber Run, but original enough to prevent them from disappearing into the unidentifiable blur of the indie rock genre. There's a healthy dose of integrity to their tracks, some solid arrangements and a touch of true sentiment.

Wild Front have released two EPs until now; their debut, 'Physics' in 2017 which propelled them straight into the view of some of the industry's most reputable news sources, such as Radio 1 and NME. Not to mention their being chosen to play Glastonbury's BBC Introducing Stage by none other than co-organiser of the event, Emily Eavis herself, in 2017. At the beginning of the year they also released their EP 'Stripped' which featured five of their favourite tracks in new, acoustic arrangements. I'm happy to say that this was just a prequel to the main event, and that Wild Front have since been back in the studio under the watchful ear of Fred Cox, who has helped them produce their first full album to be released later this year. I don't yet know the date of the release, but to get the ball rolling, I can share with you all Wild Front's new single, taken from the aforementioned album, their cathartic and catchy track; 'Simmer Down'.


REVIEW - Simmer Down

This track has a flavour we can each of us relate to, and a pretty raw one at that. It's about letting go; the finality of stepping out of a chapter of your life with someone and the brutal reality of having to walk on alone. Opening with a confident guitar riff and beat, Josh's drums mimic the rhythm of your feet hitting the solid ground, almost to say 'this is life, you have to face it'. Then comes in Jack's voice with a presence you cannot ignore, similar to that of the doubt that follows a failed relationship and you in turn. This track is almost a conversation with the voice in the back of your head, the paranoia that tags along uninvited, the baggage you carry with you until that moment when you finally drop it and you're clean and free.

'Simmer Down' is a sleek and infectious track to empower your stride and start afresh a new mindset that leaves the past in the past. Jack's chorus of "How does it feel to be on your own?" will draw out the resilient side of you, it's not a taunt, it's freedom. As an opening single this bodes well for Wild Front's forthcoming album; it is polished, confident and enticing. The melody is fresh and has a good kick to it, it's a fierce track.

To be contacted on behalf of Wild Front and asked to write about their music was a gift itself, being granted the opportunity to submit some of my own questions to them was amazing. I was so excited to hear what the boys had to say about their new single, album and all of the incredible milestones they have coming up this year, 2018 is going to be a big one for them!

INTERVIEW

Q: ‘Simmer Down’ has a very cathartic feeling to it, as if you’re letting go of any potential baggage you’re holding on to. What’s the story behind it?
 A: That’s a pretty apt description of the song to be fair. It’s based around the idea of feeling like the best thing for a relationship is actually to end it and be apart, no matter how much you want to fight the idea. How does it feel to be alone, rather than in a relationship, and is that actually the best outcome. It’s a fairly angst cry in the chorus. I’d say the chorus is more of an introspective discussion rather than an outwards expression.

Q: What can we expect from the new album? 
A: The chilled, summery and driving vibes heard on 'Simmer Down' are certainly a theme that will run throughout the album. We have a few different aspects to our sound, so the album will be a real mix of that. Expect a bit of chilled ambience, a fair few bouncy, foot tappers and a few tracks with a slightly darker, rockier edge! Don’t want to give too much away…

Q: What was the writing process and production like for you?
A: A lot of the writing starts with the four of us sitting in our rehearsal space in Joe’s (guitarist) garden and spending a little bit of time jamming on some ideas until something more solid appears. That will then be taken away and vocal lines and lyrics will be added. It sometimes happens in the reverse way, but that’s definitely been a common process for this bunch of tracks. We’ve been working with Fred Cox in his studio to produce the tracks, and he’s been such a gem to work with. We’re usually fairly set on how we want the tracks to sound when we go in with him but he’s been such a welcome addition in the process and has really understood how to take our ideas and let them flourish. He’s also hilarious, which really helps!

Q: What does the rest of your year look like after the release of the album?
A: We’re going to be releasing a track from the album every two months up until May next year, to give every track a real chance to be heard. As a band nowadays, streaming is such a key aspect of trying to get your music out there, so we don’t want to waste any chance to get the tracks heard! We’ve got lots of festivals lined up, and then we’re off on a headline tour in October, playing Liverpool, Newcastle, Leeds, London, Brighton and then our biggest ever hometown show in Southampton which we are massively excited about! 

Q: What does playing the main stage of the Isle of Wight Festival mean to you guys?
A: It is a huge honour for us. Growing up in Southampton, Isle of Wight Festival has always been the local big festival; it’s so mad that we’ve been given an opportunity as huge as that. 

Q: There’s a lot of hype around you guys at the moment, with all the festivals you’re playing and from BBC Introducing. Where do you hope this will take you?
A: We’ve always been part of different music projects in Southampton growing up, and we’re so overwhelmed by all the support we’ve got over the last few years. We just love playing and performing, and just hope that we get the chance for our music to be heard by more people and play to more and more people. It’s always nice to communicate to people through your own music and we just hope that will continue!

I'm anticipating great things from these boys this year, there's already such a maturity and identity to their music that I'm sure all of the experiences they have in store this year will foster and encourage. They are so deserving of the opportunities they have and the hype that's been stirred around them, as someone who really appreciates good lyrics, I think the stories they tell will surely connect a lot of people, which is what music is all about.

I hope you all enjoy 'Simmer Down' and are now waiting in eager anticipation, as am I, for their upcoming album. As I mentioned, Wild Front will be playing at festivals all over the country this year and if you're nearby I'd definitely check out their tour, I really wish I was home to see it! I'd like to say thank you again to Wild Front for involving me in this. I wish them the best of luck with all everything they have planned for this year and here's to this leg of their journey, may it be take them further still!

I hope you enjoyed this post and I'll see you all soon.

Holly


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Friday 23 February 2018

MUSIC REVIEW | Neon Waltz - Bring Me To Light EP

Hello and Happy 2018 to all you lovely people!

Today I'm breaking the radio silence with a burst of novel, British rock music from Scottish sextet Neon Waltz, who will leave a whisper of promise in your ears; this is going to be a good ride.


A few weeks ago, I was contacted by Ignition Management asking if I could attend the first show of Neon Waltz's UK Tour, (which is now well under way and worth checking out if you're around), in my beloved Newcastle Upon Tyne. Unfortunately, that would be a bit of long commute from the Canadian Rockies where I'm currently residing, so I replied with regret but an interest of working with Neon Waltz on any future projects I could. 

Luckily, the boys were quietly anticipating the release of their new EP - 'Bring Me To Light', which was released today, Friday the 23rd of February, which they kindly granted me early access to. Sufficient to say, I was pretty excited about it. 

Hailing from the remote but beautiful John O'Groats, its astounding to find a band with such an original identity. With a sound reminiscent of their Britpop forefathers, but contemporary and more romantic in sentiment, they're a perfect fit for Ignition Records who I'm sure will nurture them perfectly as they mature and create. It took one listen of 'Dreamers' from their debut album 'Strange Hymns', which they released last August, for me to know that this sapling would bloom into a cool, polished and compelling sound. 

Introductions over, lets get to the review of their newest release; 'Bring Me To Light'.


REVIEW

I'm really impressed with this EP, I think Neon Waltz have turned their humble philosophies into an honest poetry paired with some really interesting musical compositions. 'Bring Me To Light' reflects a story of growing up and moving on; exploring all of the emotions that come with that process, the end of one thing and beginning of another. They have been blessed with the honesty of vision and sentimental touch that is innate to some of the most adored of British rock bands, its a wonderful indication of what they're capable of achieving this year. This EP is really exciting and a clear message from Neon Waltz; this is who we are and you should be ready. 

Track By Track:

Bring Me To Light

A strong opening to the EP; the boys waste no time in telling you that they're ready to leave the familiar and jump into the fog. The title track has a real 'coming of age' feel to it which sets the narrative for the rest of the EP. Its independence, freedom and confidence; the exquisite excitement of   the adventure you've been dreaming of that has finally arrived. The melody holds an integrity others within this category lack, its not one that you'd hear opening a soul-searching indie film, instead the beat quietly motivates the listener while Jordan's endearing vocals float above you. I think this would be a great song to hear live, it has an energy that while you're stood in that crowd, it wakes up that life inside of you that can only be accessed through live music. 

Watch It Fade

This track has a lovely but modest composition, perfectly telling the story that comes with a lack of direction and indecision. It's a plea to a friend, to fight for the sake of yourself and to step into the ring. It's a song of encouragement; the melody stirring in you the determination to get out of your slump. The middle eighth is filled, similarly to Bring Me To Light, with a beautiful guitar instrumental which builds end of the track to a climax, encouraging you and the embers of hope inside your chest.

Schoolhouse

Liam's keyboard is the star of the show in this one. The simple but rhythmic notes set the tone beautifully for the farewell to those childhood illusions that we all eventually wake up from. The narrative of this EP is one of coming into our own, and as we grow up we realise not everything works out as picturesque as we imagine when we're young. This track is perfectly titled; the lyrics reflecting the humility and intimacy of our romanticised childhoods and what we must do to move on.    The elements of this track are simple and delicate, but as they should be to tell a tale of tragedy. 

Enlightened By A Fall

I love this final track. Only 1 minute and 22 seconds long, its a humble little lullaby which I think really gives the EP a unique and poignant mark. Jordan's four lines of vocals give it a touch very close to poetry, rounding off the EP very gently and peacefully. Its simply quite beautiful and I love it.

'Bring Me To Light' was released today and I'd seriously recommend it. I've really enjoyed listening to it on repeat while writing this post and I'm intrigued to see what's next for Neon Waltz. I love being in Canada but I miss the British music scene, we are truly blessed with some incredible artists, events and venues. I really wish I could have seen Neon Waltz play Think Tank in Newcastle as I've had some great nights there and I'm really interested to see how they'd play live. I hope everyone who attended had an incredible night and I wish Neon Waltz the best of luck with the rest of their tour and with the release of their new EP. I'm definitely going to be keeping a close eye on these guys.

Thank you to everyone for reading and thank you to Ignition Management for getting me involved. I hope you are all keeping well and here's to an exciting year for Neon Waltz and British music.

See you next time,

Holly


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